POOJA IRANNA
Of Human Endeavor:
The Super Exposed City and the New Possibilities of Space
6 –
PREVIEW – Friday, 6 August,
Conversation between Pooja Iranna and Deeksha Nath– 7 to 7
The
Born in 1969 in
“Pooja’s art has made slight visual shifts every few years since she began working after graduating from the
When looking at the photographic works we are aware firstly of the soaring access, of spatiality articulated as a spectacle. This free movement is aided but also ordered by the architectural elements, creating frames which are patterned by grids, reducing the magnificence to the manageable. What they are present day high-rises, headquarters of Multinational Corporations, Banks or World Agencies, shiny glass clad buildings that belong to no-place and can be seen in every-place. But what they have become in Pooja’s works are radical architecture, emptying space of time and event thus creating a shock of absolute fragmentation and dislocation.
These spatial imaginations can not be dissociated from the material corpus of the city. The artist takes pleasure in multiplying architectural perspectives in order to mislead the spectator. This architecture may cause anxiety due to its potentially limitless character, yet it is the limitlessness of the constructed that also frees it, and us, from the shackles of confinement and thus urban imprisonment. The ever-expanding boundaries of the built space become our new frontiers, our anxious landscapes.”
(Excerpt from Catalogue Essay by Deeksha Nath)
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